Super Dough

Super Dough Show

HYBRID KIDS SHOW
Super Dough

Super Dough Show

HYBRID KIDS SHOW
Super Dough

Super Dough Show

HYBRID KIDS SHOW

  • YEAR: Q1 2025

  • CLIENT: Born to Play (Stevin John)

  • ROLE: Animation Supervisor &
    Post-Production Lead

  • FORMAT: Hybrid Kids Show
    S1 (7 episodes)

  • YEAR: Q1 2025

  • CLIENT: Born to Play (Stevin John)

  • ROLE: Animation Supervisor &
    Post-Production Lead

  • FORMAT: Hybrid Kids Show
    S1 (7 episodes)

A hybrid kids' show where a live-action host, an animated dough character, and the real world melt into one playful universe — made to teach and delight kids aged 2–6. Created by Stevin John (Blippi) for Born to Play.

A hybrid kids' show where a live-action host, an animated dough character, and the real world melt into one playful universe — made to teach and delight kids aged 2–6. Created by Stevin John (Blippi) for Born to Play.

The idea I cared about most: never let the dough stay just dough. The moment the host shapes a tractor, we send that little character into the real world of tractors — into the fields, the engines, the dust. A jellyfish dives into a real ocean. That leap, from a lump in your hands to a living adventure, is where a child's imagination catches fire.

For kids this age, that bridge between making something and seeing it come alive is everything. So I built every episode around it — pacing each cut to land on that spark, keeping the wonder loud and the world wide open. Not to explain the thing, but to make a child want to imagine it.

The idea I cared about most: never let the dough stay just dough. The moment the host shapes a tractor, we send that little character into the real world of tractors — into the fields, the engines, the dust. A jellyfish dives into a real ocean. That leap, from a lump in your hands to a living adventure, is where a child's imagination catches fire.

For kids this age, that bridge between making something and seeing it come alive is everything. So I built every episode around it — pacing each cut to land on that spark, keeping the wonder loud and the world wide open. Not to explain the thing, but to make a child want to imagine it.

Built on the frontier: when production started, there wasn't a single strong AI model for image or video yet — they emerged as we worked, and I folded each new tool into the pipeline the moment it landed. Part filmmaking, part live R&D. As post-production lead across all seven episodes, the back half of the pipeline was mine end to end: multicam editing, sound design and mix, color, and the weave of live action, animation, and 3D into one seamless look. The journey logic of each episode — how the character travels from a lump of dough into a whole little adventure — and the edit of every dense, character-driven sequence were shaped shot by shot by me.

EUGENE STADOLNIK

EUGENE STADOLNIK

Animation Supervisor & Post-Production Lead
Contact us

get in touch

" I don't make toy ads — I build little worlds kids want to live in."

Open for commercial direction, creative partnerships, and ongoing collaboration with kids & toy brands.
Whether you need a director to helm a launch, or an end-to-end engine to take a concept from idea to screen — let's talk
.

Contact us

get in touch

" I don't make toy ads — I build little worlds
kids want to live in."

Open for commercial direction,
creative partnerships,
and ongoing collaboration
with kids & toy brands.
Whether you need a director to helm a launch,
or an end-to-end engine
to take a concept from idea to screen —
let's talk.

Contact us

get in touch

" I don't make toy ads — I build little worlds kids want to live in."

Open for commercial direction, creative partnerships, and ongoing collaboration with kids & toy brands.
Whether you need a director to helm a launch, or an end-to-end engine to take a concept from idea to screen — let's talk
.

Stay CONNECTED.

evgenystadolnik@gmail.com

Hybrid AI films for toy & kids brands.
Direction, AI production, color and post — end to end.

EVGENY STADOLNIK

STADOLNIK

Commercial Direction & Full-Cycle AI Production for Toy & Kids Brands. ©2026 Stadolnik Studio. All rights reserved.

PRIVATE SCREENING NOTICE:
All work is shown for portfolio and professional evaluation purposes.
Selected projects feature client and third-party brands — all trademarks, characters, and intellectual property remain the property of their respective owners.
Certain materials are shared in confidence; please do not reproduce or redistribute without written permission.

Stay CONNECTED.

evgenystadolnik@gmail.com

Hybrid AI films for toy & kids brands.
Direction, AI production, color and post — end to end.

EVGENY STADOLNIK

STADOLNIK

Commercial Direction & Full-Cycle AI Production for Toy & Kids Brands. ©2026 Stadolnik Studio. All rights reserved.

PRIVATE SCREENING NOTICE:
All work is shown for portfolio and professional evaluation purposes.
Selected projects feature client and third-party brands — all trademarks, characters, and intellectual property remain the property of their respective owners.
Certain materials are shared in confidence; please do not reproduce or redistribute without written permission.

Stay CONNECTED.

evgenystadolnik@gmail.com

Hybrid AI films for toy & kids brands.
Direction, AI production, color and post — end to end.

EVGENY STADOLNIK

STADOLNIK

Commercial Direction & Full-Cycle AI Production for Toy & Kids Brands. ©2026 Stadolnik Studio. All rights reserved.

PRIVATE SCREENING NOTICE:
All work is shown for portfolio and professional evaluation purposes.
Selected projects feature client and third-party brands — all trademarks, characters, and intellectual property remain the property of their respective owners.
Certain materials are shared in confidence; please do not reproduce or redistribute without written permission.

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